LIGHT 100

From a distance, the painting refers to a confetti effect or evokes a pointillist style without being able to identify the material used. When we get closer, the gaze becomes more comfortable. He identifies multicolored eggshells stuck next to or on top of each other, a promiscuity comparable to that of battery-reared animals. The name of the product therefore refers here to animals that never see the light of day. Each piece is signed and numbered.