And the breath becomes a sign

François Cheng reveals his most precious asset to us: nearly a hundred moving and fragile calligraphies, drawn on thin sheets of Chinese paper. These works, masterfully commented on by the author in the manner of an interior journey, form a link between pen and brush, China and the West. François Cheng thus asserts himself as one of the artists capable, like Henri Michaux, of being recognized in several disciplines at the same time: he makes his life a total work.